Spiral Bound Book Fair
Sunday, November 18, 2018
11:00am - 6:00pm
Fox Studio Building (corner of Falls Rd. and Roland Ave.)
Join Curatorial Practice for the inaugural Spiral Bound Book Fair!
Spiral Bound is a platform for artists, small presses, and publishers to share and sell their printed matter with the public. RSVP here!:
Thanksgiving Break - Building Hours
Thanksgiving Break will begin the evening of Tuesday, November 20th, 2018. The Graduate Office will remain open during normal office hours, 9am - 5pm, on Wednesday , November 21st. Campus closes Wednesday at 7:00PM and will remain closed for all of Thursday and Friday.
On Saturday, November 24th, graduate students will have access to graduate studios and collaborative work spaces in the Fred Lazarus IV Center, Fox Building and the Brown Center (ID required) from 11:00AM - midnight. Normal graduate student access will resume at 8:00AM on Sunday, November 25th.
No classes will be held on Wednesday, Thursday, and Friday.
Enjoy the Holiday!
The Institute of Contemporary Art Baltimore Presents: "More Doing" by Kirk Amaral Snow
Image: Search For Ourselves (working detail)
Steel Stud, Speed Square, and Clamp
66″ x 39″ x 30"
16 West North Ave
Baltimore, MD 21218
The Office of Graduate Studies and Research is pleased to announce our very own Kirk Amaral Snow's solo exhibition!
Exhibition Dates: November 9 to December 9, 2018
Special Event: Just Comfortable Enough, Saturday, December 8, 7pm
During the final weekend of the exhibition, Amaral Snow will situate his body alongside functional objects developed while making work for More Doing. The performance plays with Donald Judd's writings on furniture, using the artist's body to highlight issues in design and function.
Open Hours: Saturdays and Sundays 12-4pm
For the last decade, Kirk Amaral Snow has developed a body of work that investigates the relationship between the built world and performative aspects of culture. Drawing on an immediacy inherited from the DIY Punk scene, he makes simple, poetic objects that reference encounters with vernacular building as a contrast to highly crafted design.
With More Doing, Amaral Snow digs deeper into the language of home-center improvement projects and YouTube “Do-It-Yourself” design. Displaying gestures and materials that echo and repeat, the works in the exhibition reveal a process of iteration and experimentation often absent from polished media representations of “making”.
Kirk Amaral Snow – kirkamaralsnow.com
Kirk Amaral Snow (b. 1980, Providence) is a Baltimore-based intermedia artist. Amaral Snow holds BA’s in Art History (2002) and Studio Art (2003) from the University of Rhode Island and an MFA from Tufts University/School of the Museum of Fine Arts, Boston (2011). He has exhibited and performed both nationally and internationally at The Franklin (Chicago, IL), Samson Projects (Boston, MA), Little Berlin (Philadelphia, PA), Mobius (Boston, MA), Perfolink (Concepción, Chile), Infr’action Sète (Sète, France), Proof (Boston, MA), Fonderie Darling (Montreal, Canada), and Grace Exhibition Space (NYC).
In 2014, Amaral Snow completed residencies at Samson Projects (Boston, MA) and ACRE (Steuben, WI). His most recent solo exhibition, The Lonesome Crowded, was staged at Boston’s Distillery Gallery in the summer of 2015.
ICA Baltimore - icabaltimore.org
ICA Baltimore is a collaboration of volunteers working to stage contemporary art exhibitions in available spaces in Baltimore. More Doing is the twenty-eighth exhibition by the ICA since 2011.
GradEx Presents - Sicheng Wang: Where Do I Tarry?
On view until November 16, 2018.
Lazarus Center, First Floor
Sicheng Wang is a second year student in the MFA Mt. Royal School of Art. Come see his solo exhibition!
Mt. Royal School of Art Fall Show 2018: TIMONIUM (None Of Us Like Each Other)
Work Pictured by Julia Clouser
Lazarus Center - Riggs and Leidy Galleries
On View: November 2 - 18
PEM Fall Show 2018
Photographic and Electronic Media, MFA
Fox Building - Fox 3 Gallery
On View: November 2 - 18
Students in Exhibition: Alex Henderson, Beichen Zhang, Bingyi Liu, Brian Rohrbaugh, Camila Franco Ribeiro Gomide, Cyrus Feldman, Dorie Heyer, Elizabeth Avila-Neuheisel, Jenn Allen, Jia Sun, Jiayang Huang, Jing Zhao, Josh Littlefield, Megan Carnrite, Meng Ren, Nick Weihe, Nikki Wang, Rebecca Marimutu, Shengxu Jin, Shijie Shen, Tianyi Zhang, Wasin Tirawattanawanich, Wenlu Bao, Xiaofeng Guo, Xingqi Liu, Yeqing Han, Yidie Xiao, Zening Fan, Zijie Mo, Zun Wang
GradEX Presents - Megan Carnrite: Hemispheres
Megan Carnrite explores the intersections between the human body and technology in her new solo show HEMISPHERES.
Carol Community College Presents: "Get Well Soon, Bruh" By Will Watson
MFACA Power Speaker Series: Jade Phoenix Martinez
The Smithsonian's Long Conversation
Smithsonian Arts and Industry Building
900 Jefferson Dr SW, Washington, DC 20560
Friday, December 7, 2pm–10pm
The Smithsonian's "Long Conversation" brings together artists, scientists, and the years biggest luminaries for a creative marathon of conservations around 1 big question: What makes you hopeful about the future?
Art Installations throughout the space will blend creativity and science, with featured artists including our very own Phaan Howng!
Tickets are free while they last! REGISTER HERE
For a full list of artists and speakers, and more information about the event, visit www.si.edu/longconvo
VISITING ARTIST LECTURE SERIES
Tuesday, November 20, 2018
10:30am – 12:00pm
Virginia Wagner is an artist and writer living in Brooklyn, New York. She makes paintings set in zones of conflict between human progress and the natural world. Raised in a family of biologists, she has a unique perspective from which to observe the psychological and physical effects of our quickly changing planet. She received her BA from Oberlin College in Studio Art and Creative Writing and her MFA from Maryland Institute College of Art’s Hoffberger School of Painting. She has been granted residencies at VCCA, the Edward Albee Foundation, Jentel Foundation, Ucross, Vermont Studio Center, and Yale Norfolk, and received the 2016 Lotos Prize in Painting. Her portrait series has been featured on BBC Radio’s The Cultural Frontline and in a short documentary entitled ‘The Gender Line,’ which premiered at the Williamsburg Independent Film Festival. Wagner is Co-Founder of the blog Painters on Paintings and teaches fine art at Pratt Institute and Montclair State University.
Hosted By: LeRoy E. Hoffberger School of Painting, MFA
Monday, November 26, 2018
12:15pm – 1:00pm
Hosted By: Illustration Practice, MFA
Tuesday, November 27, 2018
10:00am – 11:30am
Nancy Princenthal is a Brooklyn-based writer whose book Agnes Martin: Her Life and Art (Thames and Hudson, 2015) received the 2016 PEN America award for biography. A former Senior Editor of Art in America, where she remains a Contributing Editor, she has also written for the New York Times, Artforum and the Village Voice. Princenthal is the author of Hannah Wilke (Prestel, 2010), and a co-author of two recent books on women artists. Her essays have appeared in monographs on Shirin Neshat, Doris Salcedo, Robert Mangold and Alfredo Jaar, among many others. A graduate of the University of Pennsylvania (B.A.), Hunter College (M.A.), and the Whitney Independent Study program, she has taught at the Center for Curatorial Studies, Bard College; Princeton University; and Yale University, and is currently on the faculty of the School of Visual Arts.
Hosted By: Leroy E. Hoffberger School of Painting, MFA
Tuesday, November 27, 2018
4:00pm – 5:30pm
Growing up in a rural, working-class town in Upstate New York, Nancy Shaver was drawn to making compositions of ordinary, unpretentious materials and objects. Her abstract compositions disregard distinctions between utility and decoration, as well as mass culture, craft, and fine art, underlining both the hierarchical boundaries dividing these categories and their permeability. Shaver received a Pollock-Krasner Foundation Grant in 1993, an Anonymous Was a Woman Award in 2008, and a Guggenheim Fellowship in 2010. Shaver was part of the 2017 Biennale di Venezia and, in 2018 at the National Gallery in Washington, DC, her work was featured in Outliers and American Vanguard Art.
Hosted by: Mt Royal School of Art, MFA
Grad Lab Workshop: Physical Interface
Thursday, November 29, 2018
Lazarus Center, Grad Lab L540
Who says your artwork has to sit still and be unresponsive to viewers? This workshop will introduce students to microcontrollers, a small computer you can use to detect, motion, heat, light touch and many other things. These devices can also allow you to control movement and talk to more traditional computers to control video, sound or whatever else you would like. In particular we will look at the Arduino microcontroller.
*** It is highly recommended that you attended both the processing and electronics workshops before attending this one
Job Opportunity: GPA Position
The MA in Art Education is seeking a Graduate Program Assistant position for Spring 2019. Candidates for this position will need to be available during the MLK Winter Session, January 17-21, 2019. The schedule for the rest of the spring semester is flexible and negotiable.
Duties as assigned by program include:
- Support the director in preparations for Mid-winter Seminar, January 17-21, 2019.
- Reserve and set-up equipment, projectors for visiting artist lectures and student presentations (in December).
- Report equipment issues for maintenance, repair and proposed replacement to Program Director, Facilities Management, and Office of Graduate Studies.
- Support the director and students during Mid-winter Seminar with various administrative details including guest critics and catering; five full-time days over the Martin Luther King, Jr. holiday.
- Assist the director in preparations for the conference of the National Art Education Association (Feb/March).
- Support the director in preparations for the summer term (April/May).
- Report to the director about issues engaging the Graduate Student Council.
- Serve as liaison for critical information from the Graduate Office to directors, faculty, and students.
- Organized, conscientious, reliable
- Familiar with a fast paced administrative environment
- Familiar with MS Office
- Familiar with MICA's resources
- Knowledgeable about safe studio practices at MICA
- Able to work independently
- Exhibit excellent interpersonal skills
Valued, but not required:
- Familiar with Adobe Creative Suite
- Familiar with the field of Art Education
- Familiar with cultural opportunities in Baltimore
Please send a brief email of interest and resume to Nan Park, Interim Director of the MAAE program: firstname.lastname@example.org. The subject of the email should indicate "GPA, MAAE: 2019.
Job Opportunity: Grad Lab
The Grad Lab is looking to fill 2 student positions. These positions differ from the Desk positions in that they support higher functions of the Lab.
One position will work closely with checkout equipment and will assist with on-boarding new equipment, organizing the Equipment Crib, and identifying/pulling/repairing damaged equipment.
The other position works to help support metrics and communication.
Both positions require a one year/10 hour a week commitment.
If you are interested, please email Patrick Hunt at email@example.com. Indicate which position interests you, and attach your most recent resume as well.
Job Opportunity: Johns Hopkins
Johns Hopkins School of Medicine is hiring for a Graphic Designer/Social Media Specialist position, working directly with Kenny Bademosi's team of Social Innovation and Engagement.
For more information, job description, qualifications, and to apply, visit here. MICA students may email Kenny Bademosi directly with any questions, at firstname.lastname@example.org
Info Session: Smithsonian Institutions
Monday, November 26, 2018
Open to all students, no registration required
Meet staff from the National Museum of African American History and Culture, the National Museum of American History, and the Smithsonian Office Of Facilities Management and Reliability to learn about upcoming internship and fellowship opportunities.
Call for Submissions: 2019 ICA Flat File Program
DUE: Monday, November 26, 2019, 11:59pm
The Institute of Contemporary Art Baltimore is pleased to announce an open call for our inaugural Flat File Program. The 2019 program will open in February with an exhibition of accepted works at our permanent location at 16 W North Ave. Individual works from the Flat File Program will be highlighted throughout the year in the gallery, on our website, and through social media. Works will be available for purchase throughout the year on our website and accessible in the gallery for browsing.
APPLY HERE: https://goo.gl/forms/F9WOsvLwT0qTXRWF3
- Open to professional working artists in the Maryland/DC area only. Currently enrolled students are not eligible to apply.
- Submission fee is $10, nonrefundable, for up to five images. NOTE: You will be prompted to pay the $10 application via PayPal once you complete the application and hit send, OR you can go to this link: https://goo.gl/xk8ERs
- All work for consideration must have been completed in the last five years.
- Work should be no larger than 22x30” unframed and unmounted with a maximum thickness of ¼”.
- Maximum retail price of each work submitted should be less than $500.
- 70% of sales of artwork will go to the artist and 30% will go toward programming at ICA Baltimore.
- Images must represent actual work submitted for acceptance. If an accepted work is not available for any reason, it may not be replaced.
- Each image should be not larger than 1000 pixels at the largest dimension.
- Files must be numbered and named LastnameFirstname#.jpg, for example WatersJohn1.jpg.
- All submissions must be in by 11:59pm EDT on November 26, 2018 for consideration.
October 19: Open Call posted
November 26: Application Deadline
Early January: Notification
Drop-off Dates: During open hours in January (12-4pm Saturdays and Sundays)
Install: First week of February
February 8-24: ICA Flat File exhibition
Call for Applications: Byrdcliffe’s Artist-in-Residence Program
Woodstock Byrdcliffe Guild is offering fully and partially funded residencies for creatives, couples, and teams in all disciplines, at all levels, to live and work for periods of 1 and 5 months within our mountain artist utopia* comprised of over 30 turn-of-the-century private and communal buildings sprinkled amongst the Catskill forests of Woodstock, NY.
Application Deadlines: December 10, 2018 for seasonal and February 10, 2019 for monthly residencies.
- Pollock-Krasner Fellowship for artists affected by natural disasters including travel and materials stipends
- Full Fellowships specifically for artists of color, artists who identify as female, members of the LGBTQ communities, playwrights, and visual artists
- Financial need and merit based awards
For more information and to apply, visit http://www.woodstockguild.org/artist-in-residence/
Contact James Adelman at email@example.com with any questions
Call for Applications: MASS MoCA Studios
The Massachusetts Museum of Contemporary Art is currently accepting applications for the 2019 spring/summer season at the Studios at MASS MoCA.
Artists receive private studio space on MASS MoCA’s campus, newly renovated housing, free access to the museum’s galleries throughout the residency, optional financial and business coaching from Assets for Artists staff, and a daily group meal.
Application deadline: January 7, 2019, at 5:00 PM EST
For more information, qualifications, and application requirements visit here
Email any questions to Carolyn Clayton at firstname.lastname@example.org.
Call for Applications: United States Capitol Historical Society Fellowship
Applications are invited for the thirty-third year of the United States Capitol Historical Society Fellowship. This fellowship is designed to support research and publications on the history, art, architecture, or landscape of the United States Capitol and related buildings. Graduate students and scholars may apply for periods ranging from one to twelve months; the stipend is $2,500.00 per month. (Most awards are for one to three months.)
Applications must be postmarked or e-mailed by March 15, 2019, for the fellowship period beginning in September 2019 and ending in August 2020. Applications should be mailed to USCHS Fellowship Application, c/o William C. diGiacomantonio, United States Capitol Historical Society, 200 Maryland Avenue, N.E., Washington, D.C. 20002. Alternatively, they may be e-mailed in PDF format to email@example.com and firstname.lastname@example.org.
If you have questions about a potential topic, contact Dr. Michele Cohen at (202) 228-2700 or email@example.com.
Download this PDF, visit our website, and www.uschs.org for more information.